Saturday, 29 December 2007
Wetting the paper afterwards gives a very different look to working directly onto wet paper. With wet paper, the line will spread and blur in ways that you can't control and the black ink will often separate into its constitute colours. Working with a wet brush over an existing line results in more controllable washes of soft grey (or purple depending on the kind of ink used in the black pen) surrounding a still black line.
Posted: 11.53pm on 23.12.07
I've noticed that when I'm struggling with inspiration, I often fall back into working wet into wet. It's such an easy and comfortable aesthetic for me. The centre of these drawings were worked in pen on small sections of wet paper while the outer lines were drawn on the surrounding area which was mostly dry. I like the combination of blurred and sharp lines.
Posted: 11.46pm on 22.12.07
Ah, now this one is definitely gouache paint over ink pen outlines. I know this because I tested it several times with watercolour paint but it was always too patchy so I switched to gouache, which gives a lovely flat matte finish. Isn't it amazing how paints, which generally all start out with exactly the same pigments, end up with such very different qualities and uses.
Posted: 11.55pm on 21.12.07
I not sure what this was drawn with; the grey could be gouache or ink but I seem to recall that it was watercolour paint. I've arbitrarily decided that it still counts as a drawing as long as there's some pen on there too. Last night I was working in watercolour again and found that I couldn't bring myself to post an envelope that only had paint on, I had to do another one that also had pen - yet another hidden rule or bias that I didn't know I had. Actually, it's always baffled me why gouache or watercolour is considered painting but ink, even when you put it on with a brush, comes under the heading of drawing. There's probably some historical reason for this but it's always struck me as a bit illogical.
Posted: 11.54pm on 20.12.07
A first experiment using watercolour on the envelopes. I was surprised at how well it went on, the paper didn't buckle nearly as much as I'd expected.
I worked wet into wet on this drawing, laying down a random shape using the blue watercolour and then drawing over it with pen while it was still wet. I've discovered that using a thicker nibbed pen works best when working onto wet paper - very thin ink lines just disappear almost completely as the ink spreads and forms a wash.
Posted: 11.56pm on 19.12.07
Another experiment with the Sakura glaze pens. This time I drew the forms in white glaze pen before going over them with red Inktense pencil. I didn't want to wet the pencil so I ended up going over the pencil several times to deepen and intensify the colour. One of the nice things about the glaze pens is the embossed quality they have, it makes filling in the spaces between lines a lot easier.
Posted: 11.54pm on 18.12.07
More fun with new art materials; this was drawn with the new set of Sakura glaze pens that I got for my birthday. I laid down the little dashes with green and blue glaze pens and then when they'd dried, I went over them with a blue Inktense pencil, which I then wet to form a wash. I wasn't originally going to wet the pencil because I liked the little white 'shadows' that formed around the raised glaze pen lines. However, the pencil had also highlighted the internal edge of the envelope, which left an unattractive line that I needed to disguise. If I use this technique again, I'll start the drawing in the middle of the envelope!
Posted: 11.37pm on 17.12.07
Friday, 28 December 2007
This was drawn with the finest pen I own - a Sakura Micron ink pen with a 0.25mm nib. The Diary Project has been a great justification for indulging my pen habit, I guess I'll have to come up with a new excuse next year!
Posted: 11.56pm on 16.12.07
Once, when I was a toddler, my parents realised with horror that I had vanished. They searched the house and garden with an increasing sense of panic. Eventually they found me at the bottom of the garden, completely hidden in the rows of peas: I had been studiously ignoring all their frantic shouting because I was busy surreptitiously stuffing myself full of peas! I don't remember this at all but I can completely believe it because I still love fresh peapods.
Posted: 11.58pm on 13.12.07
Even this late in the project, I'm still trying out new materials and techniques. This drawing was made with grey acrylic ink poured in a random shape onto the envelope and then drawn over in pen. It was the first time I've used acrylic ink in the drawings and I liked its matte flatness.
The pen marks were directly inspired by mattress stitch, a stitch that never fails to excite and delight me: one of these days, I must learn how to sew it!
Posted: 11.55pm on 9.12.07
I really let rip with this one, this was fingerpainted with ink from the Pentel Colour Brush. I used a bit of scrap paper as a palette, squeezed out a pool of ink and then just got stuck in with my index finger. So much fun! When it was dry, I added the fine lines with a pen to add a bit more definition.
Posted: 11.53pm on 6.12.07
I'm still loving these little dots on lines, it's something I've come back to time and again in the drawings. It's been very interesting learning so much more about my own drawing and discovering that I really do have my own style.
Posted: 11.56pm on 5.12.07
I think I'd like to make this in silver wire, it would make a good brooch or earrings. I used to try to keep my different practices separate but it doesn't really work. I'm starting to accept that it's probably pointless to even try - it's all coming from the same source after all. The trick is not to pretend that I don't do different things but just to get better at recognising whether an idea or image wants to be sculpture, performance, a drawing or jewellery.
Posted: 11.45pm on 4.12.07
The material and tools you use make a big difference to the way you draw. I've had very little success achieving fine controlled lines with a large brush pen like the Pentel Colour Brush that I used here. Of course, that might just be my hand - other artists may be able to coax fine detail out of this pen! But in my experience, you can get some fine lines but eventually the brush will blot and splodge because you're trying to use it in a way that isn't right for it: I've found that this particular tool works best when you drew quickly, lightly and with confidence.
If you fight what a drawing instrument wants to do, you'll just end up frustrated and cross (and possibly with a ruined tool). Of course, you should always experiment and push yourself and your materials but sometimes you have to recognise the essential nature of a medium. For example, despite the fact that I love charcoal as a drawing medium, it wasn't suited to this project at all. Even if I'd sprayed it with fixative, charcoal wouldn't have survived a trip through the post. Maybe I'll do a series of big charcoal drawings in January once the envelopes are finished: I'm certainly ready for a change of scale and medium now.
Posted: 11.54pm on 3.12.07
This is quite a scratchy drawing but I think I was pretty content when I drew it; I was just in the mood for some scratchiness. I definitely have different aesthetic moods: some days I start out drawing in one way and just hate it and then I know that I need to switch my style or medium. If I had to draw in the same style everyday, I'd never have made it this far with the project.
Posted: 11.52pm on 2.12.07
I had thought I might cover the whole envelope but this seemed like enough. Oh OK, I got bored* - it happens occasionally if you're daft enough to draw 333 envelopes in a row!
* If I'd really thought it needed more, I'd have kept drawing.
Posted: 11.20pm on 29.11.07
This was the first envelope I drew with my new Sakura glaze pen. It doesn't show up clearly on the scan but this style of pen is so highly glossy that it still looks wet even when it's dry. I don't know how archival it is but since the envelopes definitely aren't archival, I guess it doesn't matter too much.
Posted: 11.53pm on 27.11.07
This was one of the heaviest envelopes that I've done. I ended up putting two stamps on it, partly because I was worried about the weight but also because I was feeling slightly guilty about the envelope from the 20th November, which I forgot to stamp. Perhaps it was just a superstition need to appease the Post Office Gods!
Posted: 11.47pm on 25.11.07
I wonder if I will make any sculptures from the drawings I have done this year? This looks very much like something that might become 'real'. Of course, drawings are also real but sculptures are just more real for me.
Posted: 11.55pm on 24.11.07
Although they could just as easily be tiny, beaded things, in my head these are enormous sculptures that tower over people. It's the sort of art I have absolutely no interest in making but it's still nice to consider it sometimes.
Posted: 9.50pm on 23.11.07
Thursday, 27 December 2007
This is one of the drawings from The Diary Project that I'd love to make into a limited edition print, if I had access to the equipment to do so. I'm considering investing in a little Gocco machine or some screenprinting equipment. I do know how to screenprint (although I haven't done much of it) but I don't know how complicated and expensive it would be to do at home.
Posted: 11.25pm on 21.11.07
Sunday, 2 December 2007
Another drawing done on acrylic gesso. I've been using gesso a lot lately because I've started an art journal. It's such versatile stuff: you can use it to tone things down or to stiffen your paper before you start or even to cover things completely when you want to start over.
Here the gesso is forming a subtly textured white ground for waterproof ink and my beloved Inktense pencils. Because the envelopes are so smooth and thin, it's nice to have something with a bit of a 'bite' to work on for a change. Drawing on thin, low quality paper every day for nearly a year has certainly given me a great appreciation for higher quality paper!
Posted: 11.43pm on 17.11.07
This has a seaweedy kind of quality, although I started out thinking about ribbons and wrapped parcels. I've been fascinated by the idea of wrapping and binding for years and would like to make some sculptures that explore it but it's still not quite clear in my head yet. It takes a long time for my art to percolate, sometimes it can be years from the first inkling of an idea to the finished reality.
Posted: 8.46pm on 14.11.07
I was intrigued with the way the little blank circles create the illusion of holes punched through the paper. It's amazing how much pen and line can say and how different the results can be depending on which techniques you use. Although I've used other media in The Diary Project over the year, I keep coming back to pen because the simple complexity of it as a medium totally fascinates me.
Posted: 11.53pm on 13.11.07
Friday, 30 November 2007
This is the closest I've come to missing the deadline. I actually had to run to the post box - see how dedicated I am to this project! Of course, if I'd been a bit more dedicated I wouldn't have left it so late before sorting out that day's envelope but I'd been writing a blog post for Up All Night Again and time got away from me.
Posted: 11.59pm on 12.11.07
I was trying out something a little unusual here - this is a metalpoint drawing on acrylic gesso. Metalpoint is something I read about in The Drawing Book by Sarah Simblet, which I reviewed very positively over on Up All Night Again. I happened to have a brass tool sitting on the desk in my studio and was excited to accidentally discover that it made a mark on paper and an even better mark on gesso.
Simblet specifically discusses silverpoint in her book and says that it needs to be sealed to stop the marks turning brown. I didn't use any fixative on this drawing, so it will be interesting to see if it changes colour at all. However, since I used brass instead of silver it might be OK since I believe that brass is much less reactive to oxygen than silver.
Posted: 11.56pm on 10.11.07
I find this drawing quite strange and I've no idea where it came from. It looks almost like an enamelled brooch and it makes me think of landscape drawing, which is something that hasn't played much of a part in The Diary Project.
Posted: 9pm on 9.11.07
This drawing makes me think of marzipan. I've never liked marzipan, yet as a child I regularly made marzipan sweets to give as Christmas gifts to relatives. I loved to shape the soft almond dough into very detailed fruit shapes that I would then lovingly paint with food colouring. I wonder if the recipients ever actually ate them?
Posted: 11.53pm on 8.11.07
I've noticed myself becoming much more attracted to white on black as the Diary Project has evolved - there's something about that reversal that is very appealing to me. Perhaps I'll do a series of drawings using white ink on black paper next year.
Posted: 11.53pm on 7.11.07
Thursday, 29 November 2007
Oops, I forgot to note when this envelope returned. My record keeping has generally been excellent on this project - I even have a data base of the contents so that I don't accidentally repeat myself - but occasionally, I mess up and forget to write something down.
Posted: 11.50pm on 5.11.07
Returned: ? Possibly 9.11.07
I discovered that the Pental ink brushes respond much better if you work very quickly, lightly and intuitively, which seemed to naturally result in this psuedo-Chinese style. I guess that's apt since the pen brush is made in China.
Posted: 11.50pm on 4.11.07